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MICAR The Flowers Stand Silently Witnessing de Theo Panagopoulo + Foragers
«The Flowers Stand Silently, Witnessing», Theo Panagopoulos (2024))
The Flowers Stand Silently, Witnessing, de Theo Panagopoulo + Foragers, de Jumana Manna
MICAR — Mostra Internacional de Cinema Anti-Racista
MICAR The Flowers Stand Silently Witnessing de Theo Panagopoulo + Foragers
«The Flowers Stand Silently, Witnessing», Theo Panagopoulos (2024))

Drawing from a rare archive of colour 16mm footage from 1930s Palestine, the film revisits seemingly idyllic landscapes to reveal what has been erased: the Palestinian people who inhabited them. Moving between colonial archives and living memories, Panagopoulos reflects on land, belonging and the narratives that shape a territory. A delicate essay on the relationship between image, absence and memory.

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In Foragers, Jumana Manna explores the ancestral practice of gathering wild plants in Palestine, following communities who continue to harvest species such as akkoub and za’atar despite restrictions imposed by Israeli authorities. Blending documentary, fiction and humour, the film reveals the connection between people, land and knowledge passed down through generations. A delicate portrait of sovereignty, memory and resistance through the relationship with the land.

25
Oct
2026-10-25T15:15:00Z
2026-10-25T16:30:00Z
Batalha Centro de Cinema
15:15

+Cal

Free

12+
Praça da Batalha, 47

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MICAR The Flowers Stand Silently Witnessing de Theo Panagopoulo + Foragers

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MICAR The Flowers Stand Silently Witnessing de Theo Panagopoulo + Foragers

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MICAR 2026
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Film

Drawing from a rare archive of colour 16mm footage from 1930s Palestine, the film revisits seemingly idyllic landscapes to reveal what has been erased: the Palestinian people who inhabited them. Moving between colonial archives and living memories, Panagopoulos reflects on land, belonging and the narratives that shape a territory. A delicate essay on the relationship between image, absence and memory.

---------------------------------------

In Foragers, Jumana Manna explores the ancestral practice of gathering wild plants in Palestine, following communities who continue to harvest species such as akkoub and za’atar despite restrictions imposed by Israeli authorities. Blending documentary, fiction and humour, the film reveals the connection between people, land and knowledge passed down through generations. A delicate portrait of sovereignty, memory and resistance through the relationship with the land.

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MICAR 2026

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