Drawing from a collection of pins found in an old family home, the film creates an essay on memory, exile and political activism. Filmed in Super 8, these small objects reveal stories of resistance, solidarity and belonging, transforming material traces into fragments of collective memory.

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In a future where promises of equality remain unfulfilled, Black, working-class and queer women continue to face inequalities and exclusion. Through the actions of feminist groups and their pirate radio stations, Lizzie Borden creates a political manifesto where different voices organise, challenge power and seek new forms of resistance. Blending science fiction, documentary, activism and punk aesthetics, the film imagines a future in dispute and questions who has the right to shape new narratives of progress.