CORPO NÓMADA is a wandering reverie in motion, where four beings explore the territories of encounter. Are they versions of the same story? Reflections of one another in metaphysical or earthly dimensions? The boundary remains diffuse, deliberately porous.
Above, the aerial bodies dance a freedom that is both beautiful and fragile. They search for one another, touch, project themselves toward other places that may exist only in their impulse. Each gesture becomes an allegory: the precarious balance of every relationship, of every aspiration, the desire that lifts, the grace that emerges from uncertainty.
Below, reality also resonates. Bodies, prisoners of a human weightlessness, can only communicate through music, through bodies and proximities that hesitate — crossed by stories already lived or yet to come. They vibrate like their aerial doubles, without knowing who is mirror or reflection.
The four observe one another as if contemplating an ideal — astonished and nostalgic for a freedom, a living poetry, lost or rediscovered. The other face of the same wandering.