Clamor is a performative and installation‑based project that emerges from the encounter between the manual ringing of a bell and the vocabulary of vertical rope. The focus on this dialogue — immediately charged with symbolism — dissolves into a landscape through the activation of the elements that compose it, intersect and overlap, until an immersive yet essay‑like space is formed.
In the relationship between body, sound and object, the work seeks the possibility of a game that expands the field of action and the limits that contain it, through the continuous tension between weight and suspension, tradition and displacement, efficiency and failure.
The performance proposes a form of prolonged attention, an experience of proximity and circulation. Within this spectrum of possibilities, the spectator is invited to inhabit the interval between expectation and event, rehearsing their point of view and wandering between restlessness and desire, discomfort and surrender.