Drawing from a practice that moves through improvisation and sonic experimentation, Frederica Vieira Campos proposes a dialogue with the exhibition currently on view at the gallery, creating a space for listening and drift where sonic fragments also become possible mirrors — reflections open to subjectivity and reinvention.

In a subtle echo of the exhibition itself, whose title derives from a poetic fragment by Sappho, the concert also invokes the musical dimension of the Greek poet’s work, originally intended to be accompanied by the lyre. The electric harp emerges here as a contemporary resonance of that ancient tradition, an imaginative extension of a fragmentary voice that continues to travel through time.