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THE SHADOW CITY AND WHAT SHINES IN IT
The city examined here lives in the shadow of an overexposed city, which stopped being a home and became a showcase, stage, museum, merchandise. In the other Porto that is recognized here, in its vulnerability and its value, gestures of resilience and care build places over the long period of living.
Those who pass by and stop there are offered meanings and aesthetics to be deciphered, possibilities of identification and dialogue. The exhibition is also a proposal for a relationship with the city, an invitation to appropriation, as an exercise in participation in the interpretation, representation and future of the city.
The opening of the exhibition will be accompanied by a call for participation, in which the public is invited to take a close and attentive look at the city and send photographic contributions that will form part of the exhibition.
Ana Miriam is a photographer and researcher. Her activity has been developed between practice, teaching and research in the area of arts and visual culture, with emphasis on photography and editorial projects. Her research interests and artistic production focus on the dynamics of production, perception and representation of urban space and in particular public space, at the intersection of their social, aesthetic and political dimensions. Her visual and written production has been disseminated through communications, publications and exhibitions in different contexts.
She is a scholarship holder from the Foundation for Science and Technology and a member of the Institute for Research in Design, Media and Culture (ID +) and the Center for Studies in Architecture and Urbanism (CEAU).
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THE SHADOW CITY AND WHAT SHINES IN IT
The city examined here lives in the shadow of an overexposed city, which stopped being a home and became a showcase, stage, museum, merchandise. In the other Porto that is recognized here, in its vulnerability and its value, gestures of resilience and care build places over the long period of living.
Those who pass by and stop there are offered meanings and aesthetics to be deciphered, possibilities of identification and dialogue. The exhibition is also a proposal for a relationship with the city, an invitation to appropriation, as an exercise in participation in the interpretation, representation and future of the city.
The opening of the exhibition will be accompanied by a call for participation, in which the public is invited to take a close and attentive look at the city and send photographic contributions that will form part of the exhibition.
Ana Miriam is a photographer and researcher. Her activity has been developed between practice, teaching and research in the area of arts and visual culture, with emphasis on photography and editorial projects. Her research interests and artistic production focus on the dynamics of production, perception and representation of urban space and in particular public space, at the intersection of their social, aesthetic and political dimensions. Her visual and written production has been disseminated through communications, publications and exhibitions in different contexts.
She is a scholarship holder from the Foundation for Science and Technology and a member of the Institute for Research in Design, Media and Culture (ID +) and the Center for Studies in Architecture and Urbanism (CEAU).
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