EN
"Life is a form of self-expression. For me, being creative is a way of being in the world."
In this new exhibition, ELLEONOR dives into her own archives — memories, materials, visual and sensory experiences — as a way of revisiting her artistic journey. ARQUIVO II offers an intimate look into Leonor Cunha’s practice, revealing a path shaped by experimentation, the freedom of gesture, and the contemplation of matter.
The artist works with color, form, transparency, and texture as naturally as breathing — with urgency and surrender. Abstraction, for her, is not just an aesthetic language, but a tool for introspection and revelation.
"Creating isn’t just about painting canvases or making sculptures. Everyone is an artist. We are a work of art."
This exhibition invites the viewer to explore a territory of sensitivity, of the unfinished, of instinct. It’s a call to inner listening, to encounter the fertile void, to experience the slow time of artistic making. In each work, there are traces of a search for meaning — a movement from within, shaped by the body and by silence.
ARQUIVO II is not a timeline; it is a space of possibilities. A place where the past becomes living material, and where art becomes a bridge toward self-knowledge.
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"Life is a form of self-expression. For me, being creative is a way of being in the world."
In this new exhibition, ELLEONOR dives into her own archives — memories, materials, visual and sensory experiences — as a way of revisiting her artistic journey. ARQUIVO II offers an intimate look into Leonor Cunha’s practice, revealing a path shaped by experimentation, the freedom of gesture, and the contemplation of matter.
The artist works with color, form, transparency, and texture as naturally as breathing — with urgency and surrender. Abstraction, for her, is not just an aesthetic language, but a tool for introspection and revelation.
"Creating isn’t just about painting canvases or making sculptures. Everyone is an artist. We are a work of art."
This exhibition invites the viewer to explore a territory of sensitivity, of the unfinished, of instinct. It’s a call to inner listening, to encounter the fertile void, to experience the slow time of artistic making. In each work, there are traces of a search for meaning — a movement from within, shaped by the body and by silence.
ARQUIVO II is not a timeline; it is a space of possibilities. A place where the past becomes living material, and where art becomes a bridge toward self-knowledge.
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