While we are waiting, things are unfolding. This idea is at the heart of the pinhole photographs of Séverine Morizet.
As her camera opens to light, Séverine slips into the model’s skin and inhabits a pose for the duration of an introspective voyage. In relative stillness, she enters a state of reverie, anchored only by the act of being physically there: I am here, but I am elsewhere.