Wura Moraes' performance proposes to work on the principle of the canvas-body or body-image, as alluded to in Leda Maria Martins' book "Spiral Time Performances, Canvas-Body Poetics".

The Portuguese-Brazilian dancer and choreographer explores the production of images - visual, sonic and kinetic - using objects from her family archive to create compositions that evoke narratives, images and different temporal layers.

The props from this archive provide continuity and relate to the project that the artist has been developing: 'Confluências', in which she evokes the memory of her father Mário Calixto and her uncle Miltércio Santos, both dancers and creators.

Part of the activations programme of the piece "Timelapse", from "Depth of Field", by Mónica de Miranda.