Between quiet still lifes, small landscapes, and everyday gestures, Walk on the Grass emerges as an exploration of what still offers the eye a place of rest. Amid the relentless speed of images and the continuous succession of events, painting becomes an exercise in permanence, attention, and presence.
Rather than a finished exhibition, Walk on the Grass proposes a journey in progress—a space where the gaze can still find, if only for a moment, a place of refuge.