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In the form of a video diary, Chantal Akerman meditates on the state of Europe after the fall of the Berlin Wall and the collapse of the Soviet Union. Buildings, landscapes, snow, twilights—Akerman offers here an accumulation of objects and images that constitute a captivating and impressionistic poem. From East Germany to Moscow, passing through Poland, Lithuania, and Ukraine, Chantal Akerman captures the bodies and faces of anonymous masses, with unreadable expressions, walking or simply waiting for something.
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In the form of a video diary, Chantal Akerman meditates on the state of Europe after the fall of the Berlin Wall and the collapse of the Soviet Union. Buildings, landscapes, snow, twilights—Akerman offers here an accumulation of objects and images that constitute a captivating and impressionistic poem. From East Germany to Moscow, passing through Poland, Lithuania, and Ukraine, Chantal Akerman captures the bodies and faces of anonymous masses, with unreadable expressions, walking or simply waiting for something.
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