Clamor emerges from the intersection between the manual ringing of the bell and the vertical rope, bringing the art of bell-ringing closer to aerial acrobatics. The focus of this dialogue, immediately laden with symbolism, dissolves into a landscape through the activation of its composing elements, which intersect and juxtapose until they give rise to a space that seeks to be both immersive and essayistic. In the interplay of counterweight, friction, impact and momentum, there lies the possibility of a game that also seeks to expand the space of action and the limits that enclose it, through geometry, direction and withdrawal. Within this spectrum of possibilities, the spectator is also invited to rehearse their own point of view and to wander between gravity and intention. - Margarida Montenÿ