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Shakespeare created the world in six days and didn't rest on the seventh. Not the next day, not ever. Shakespeare is endless. If the actors stopped using their voices or the words lost their music, other languages and ways of representing him would soon emerge. Director Marco Paiva proposes one of them: "Ricardo III" in Portuguese and Spanish Sign Language, with a cast made up of interpreters from both countries and subtitled in Portuguese. Imagine the tragic ascent to the throne of the Duke of Gloucester, with his sinister trail of blood, hatred and intrigue, without words or spoken dialogue, but with all the power and beauty of gestures. A "Richard III" as political as it is poetic, as mysterious as it is intensely visual. The story of the "cursed" king is the same, but what can't be said with the voice can be said with the whole body.
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Shakespeare created the world in six days and didn't rest on the seventh. Not the next day, not ever. Shakespeare is endless. If the actors stopped using their voices or the words lost their music, other languages and ways of representing him would soon emerge. Director Marco Paiva proposes one of them: "Ricardo III" in Portuguese and Spanish Sign Language, with a cast made up of interpreters from both countries and subtitled in Portuguese. Imagine the tragic ascent to the throne of the Duke of Gloucester, with his sinister trail of blood, hatred and intrigue, without words or spoken dialogue, but with all the power and beauty of gestures. A "Richard III" as political as it is poetic, as mysterious as it is intensely visual. The story of the "cursed" king is the same, but what can't be said with the voice can be said with the whole body.
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