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"After seven decades of life and one of the longest, most prolific careers in Portuguese dance, what can be salvaged? Olga Roriz answers this question on the Teatro Carlos Alberto stage with a new solo piece: O Salvado [The Salvage]. Like a castaway escaping disaster, the choreographer and dancer clings to the materiality of the world, sharing with her audience all that disengages from the past, present and future to generate life. A matchless career, made up of scores of productions and rewarded with the most important Portuguese and foreign artistic prizes. A life and body of work that are already part of the Portuguese cultural heritage. In 2015, while the Teatro São João was hosting A Sagração da Primavera [The Rite of Spring], her celebration of the centenary of Stravinsky and Vaslav Nijinsky’s ballet, Olga Roriz declared she would never stop dancing. Ten years later, O Salvado is proof of that."
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"After seven decades of life and one of the longest, most prolific careers in Portuguese dance, what can be salvaged? Olga Roriz answers this question on the Teatro Carlos Alberto stage with a new solo piece: O Salvado [The Salvage]. Like a castaway escaping disaster, the choreographer and dancer clings to the materiality of the world, sharing with her audience all that disengages from the past, present and future to generate life. A matchless career, made up of scores of productions and rewarded with the most important Portuguese and foreign artistic prizes. A life and body of work that are already part of the Portuguese cultural heritage. In 2015, while the Teatro São João was hosting A Sagração da Primavera [The Rite of Spring], her celebration of the centenary of Stravinsky and Vaslav Nijinsky’s ballet, Olga Roriz declared she would never stop dancing. Ten years later, O Salvado is proof of that."
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