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Painting does not begin on the canvas; it begins in the body.
Monochromatic Feeling – From the Inside Out carries forward and deepens the underlying concept of Monochromatic Feeling. By stripping away the distraction of a varied color palette and the constraints of traditional drawing, Gustavo Sanches de Castro embraces monochromaticism not as an absence, but as a pure concentration of emotion.
In a visceral creation process where the body is the primary tool, each canvas is painted exclusively by hand. The acrylic paint is touched, shaped, poured through dripping, and felt across every layer. Without the noise of multiple colors, the monochromatic feeling emerges through the texture of the medium, the raw energy of the gesture, and the play of light within the tension between control and surrender.
The works in this exhibition stand as an open, tactile diary — born from a physical need for release and reconstruction. This collection invites the viewer to inhabit the space where painting happens before it becomes an image: in the rhythm, the pulse, the vulnerability, and the raw truth of what is created, strictly from the inside out.
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Painting does not begin on the canvas; it begins in the body.
Monochromatic Feeling – From the Inside Out carries forward and deepens the underlying concept of Monochromatic Feeling. By stripping away the distraction of a varied color palette and the constraints of traditional drawing, Gustavo Sanches de Castro embraces monochromaticism not as an absence, but as a pure concentration of emotion.
In a visceral creation process where the body is the primary tool, each canvas is painted exclusively by hand. The acrylic paint is touched, shaped, poured through dripping, and felt across every layer. Without the noise of multiple colors, the monochromatic feeling emerges through the texture of the medium, the raw energy of the gesture, and the play of light within the tension between control and surrender.
The works in this exhibition stand as an open, tactile diary — born from a physical need for release and reconstruction. This collection invites the viewer to inhabit the space where painting happens before it becomes an image: in the rhythm, the pulse, the vulnerability, and the raw truth of what is created, strictly from the inside out.
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