The exhibition Breathing the Clay, by Tânia Costa, presents a poetic immersion in the relationship between body, time, and matter. In her work, clay ceases to be merely a means of expression to become a living partner — an interlocutor that challenges, guides, and transforms the artistic gesture.

With subtlety, the artist explores the boundaries between the utilitarian and the poetic, between design and sculpture. Her works often evoke functions — containers, vases, structures — but, upon closer observation, they reveal themselves as symbolic bodies, sculptural presences that transcend the logic of utility. In them, gesture becomes form, and the everyday object transforms into an aesthetic experience.

In Breathing the Clay, Tânia Costa invites the viewer to enter a space of suspension, where creation merges with the very act of existence. Her pieces stand as witnesses to a continuous dialogue between matter and spirit, control and chance, tradition and contemporaneity. Between touch and time, clay breathes — and, for an instant, seems to come to life.

Curatorial text: Ale Griot