A body explores its own masculinity by searching for euphoric states with the movements of its hips. Performativities and sensitivities are presented as a form of revolution against the normative stereotype of transmasculine expression, while a new adolescence is experienced between memory and the construction of a future vision. Prima Rosa proposes an introspective journey of resistance, in which the body becomes the vehicle for constant reinvention. — Eríc Amorim dos Santos