MAN-MAN transports the audience to the intimate and ordinary setting of MAN-MAN, the character who inhabits the stage and his body in the same way: by dressing and undressing. It is in undressing that the fictional character finds a kind of liberation, subjecting himself to layers of identity which, once revealed, can be constantly undone. Between each strip, the body reinvents itself. Sometimes, it really wants to seize the opportunity to live in its body. At other times, it wants to escape from it. A cycle that survives through the promise of returning to paradise, the moment of cleansing from identities, lusts and false egos. — Tiago Miguel