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Music on Music and BADLANDS are pleased to present an exclusive screening of “Imaginal Disk”, the film based on Magdalena Bay’s latest album, followed by a pre-recorded interview with the film’s director, Amanda Kramer.
A visual accompaniment to the fantastical universe conceived by the band in their acclaimed album of the same name, “Imaginal Disk” brings to the big screen the story of True, who is forced to confront her own existence when her body rejects a disk-shaped implant designed to unlock the ideal version of herself.
Intentionally faithful to its musical roots, Matthew Lewin and Mica Tenenbaum found in director Amanda Kramer (“By Design”, “Please Baby Please”) the perfect combination to build a bridge between the kaleidoscopic, expansive and euphoric approach of Magdalena Bay’s pop songs and this audiovisual journey of self-discovery, filled with elaborate costumes and set design, green screens, puppets and much more. Together, they merge their respective realities and previous references in a passionate exploration of the strangeness of living and feeling as a human being.
For both longtime fans and those looking to lose themselves in the hypnotic universe of “Imaginal Disk” for the first time, this is a rare opportunity to experience the film in a cinema and, perhaps, find their true selves along the way.
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Music on Music and BADLANDS are pleased to present an exclusive screening of “Imaginal Disk”, the film based on Magdalena Bay’s latest album, followed by a pre-recorded interview with the film’s director, Amanda Kramer.
A visual accompaniment to the fantastical universe conceived by the band in their acclaimed album of the same name, “Imaginal Disk” brings to the big screen the story of True, who is forced to confront her own existence when her body rejects a disk-shaped implant designed to unlock the ideal version of herself.
Intentionally faithful to its musical roots, Matthew Lewin and Mica Tenenbaum found in director Amanda Kramer (“By Design”, “Please Baby Please”) the perfect combination to build a bridge between the kaleidoscopic, expansive and euphoric approach of Magdalena Bay’s pop songs and this audiovisual journey of self-discovery, filled with elaborate costumes and set design, green screens, puppets and much more. Together, they merge their respective realities and previous references in a passionate exploration of the strangeness of living and feeling as a human being.
For both longtime fans and those looking to lose themselves in the hypnotic universe of “Imaginal Disk” for the first time, this is a rare opportunity to experience the film in a cinema and, perhaps, find their true selves along the way.
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