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Construction, adaptability, and hybridity processes are integral to an artistic practice through which Catarina proposes the idea that humanity and nature, artifice and nature, culture and nature exist in continuity. Between the two-dimensional and the three-dimensional, the artificial and the natural, the assembling and disassembling, her spatial vision sustains a language of sculpture using installation, drawing, and artist's book.
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Construction, adaptability, and hybridity processes are integral to an artistic practice through which Catarina proposes the idea that humanity and nature, artifice and nature, culture and nature exist in continuity. Between the two-dimensional and the three-dimensional, the artificial and the natural, the assembling and disassembling, her spatial vision sustains a language of sculpture using installation, drawing, and artist's book.
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