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Haydn Douet Lukies is an English percussionist based in Portugal, who works with highly resonant metal and glass objects. He is currently using two large antique brass vessels, creating improvised, hypnotic music that channels a lifetime of rhythmic obsessions. Influences and techniques from styles such as dembow, Arabic percussion, and industrial dub are woven into long-form pieces that reflect what he’s most excited by at the time of the performance. Haydn has just finished work on his upcoming debut EP, Old Dark Champagne, to be released soon.
Jake Muir is a Berlin based artist, DJ, and field recordist working with found sound. He approaches his practice as a listener first, carefully curating, layering and processing sounds that help him deconstruct and contextualize his lived experiences and influences. Using investigative software methodologies, DJ techniques, and dextrous engineering, Muir makes deeply personal sonic art that fluidly traverses genre, encouraging reflection, and sometimes prompting psychedelic states. Muir’s work has been presented at various spaces and festivals including INA-GRM (Paris), Public Records (NYC), Roter Salon (Berlin), Blitz Club (Munich), Human Resources (Los Angeles), The Lab (San Francisco), Honcho Campout (PA), and Sustain Release (NY). His recordings have been published by Sferic Records, Ilian Tape, Enmossed, Dust Editions, Further Records, and Boomkat Editions.
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Haydn Douet Lukies is an English percussionist based in Portugal, who works with highly resonant metal and glass objects. He is currently using two large antique brass vessels, creating improvised, hypnotic music that channels a lifetime of rhythmic obsessions. Influences and techniques from styles such as dembow, Arabic percussion, and industrial dub are woven into long-form pieces that reflect what he’s most excited by at the time of the performance. Haydn has just finished work on his upcoming debut EP, Old Dark Champagne, to be released soon.
Jake Muir is a Berlin based artist, DJ, and field recordist working with found sound. He approaches his practice as a listener first, carefully curating, layering and processing sounds that help him deconstruct and contextualize his lived experiences and influences. Using investigative software methodologies, DJ techniques, and dextrous engineering, Muir makes deeply personal sonic art that fluidly traverses genre, encouraging reflection, and sometimes prompting psychedelic states. Muir’s work has been presented at various spaces and festivals including INA-GRM (Paris), Public Records (NYC), Roter Salon (Berlin), Blitz Club (Munich), Human Resources (Los Angeles), The Lab (San Francisco), Honcho Campout (PA), and Sustain Release (NY). His recordings have been published by Sferic Records, Ilian Tape, Enmossed, Dust Editions, Further Records, and Boomkat Editions.
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