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Inês Malheiro & Jejuno
paula lopes
Inês Malheiro & Jejuno
CONCERTOS NA PISCINA 100#
Inês Malheiro & Jejuno
paula lopes

Inês Malheiro creates sound narratives using the voice as raw material, whether improvised or premeditated – recycling, broken voices and dismembered songs.
In 2022, Inês released her debut album, Deusa Náusea, through Lovers and Lollypops, and between 2018 and 2020 she created The Endless Chaos Has an End, a series of songs she began creating in 2018.
In parallel with her solo work, Inês composes for Sancha Meca Castro's performances and collaborates in a trio with Violeta Azevedo and Arianna Casellas. With Nuno Loureiro, he created the soundtrack for the short film Croma, o Sono (2023), by Pedro Huet. He has released albums in collaboration with friends, including Liquify, Spread and Float (2022) recorded live at Guimarães Jazz and Canal-Conduto (2020), with Gonçalo Penas.

Sara Rafael, born in Lisbon and living in Porto, presents herself as Jejuno in the sound field, composing in real time "musical pieces with brutalist contours full of dreams and romance, with all the utopia and chaos that real things imply" – João Moço –, through a minimalist setup of cascades of keyboards and samples, from which ethereal melodies, counterthemes of subterranean drones and rhythms emerge that, over time, become more pronounced, accelerated and dissipated with a certain violence.
Jejuno performed live for the first time at Noite às Novas, at Galeria Zé dos Bois, in 2014, and since then has performed at several national and international venues. Almost always solo, it is in concerts that one can get to know his work better.
He has collaborated in a duo with Raw Forest, Diana Policarpo, Odete, Filipe Felizardo, Maria Reis and Inês Malheiro, and in a trio with Olan Monk and Paul Abbott. In the field of visual and performing arts, he composed for L'O, by Hugo Canoilas, at the Museu Soares dos Reis (Porto), guts, by Lydia Nsiah, at Hangar (Lisbon), and Pool u. Pool, with Sara Graça, for TBA (Lisbon). In the area of ​​experimental cinema, he was responsible for the sound design/sound composition of to forget (2019) and techno (2023), both by Lydia Nsiah.
Some of his recordings are released by the labels URUBU, Labareda, Nariz Entupido and Extended Records. His next release will be released by Favela Discos.

03
Jun
2025-06-03T19:00:00Z
2025-06-03T21:30:00Z
Hotelier
Concertos na piscina 100#
03 jun 25 - 19h
Inês Malheiro & Jejuno

Donativo para os músicos – 5 a 10 euros.
Para quem quiser, há jantar (vegano) – 7,50 euros.
Lotação limitada. Reserva aconselhada.
Os concertos no hotelier são promovidos pelos próprios artistas para divulgação do seu trabalho. Os donativos são a única retribuição, pelo que se agradece a generosidade de quem possa e queira dar um pouco mais.
5€ a 10€ (contribuição para os músicos)
R. Anselmo Braamcamp, 324

More info

Inês Malheiro & Jejuno
Concert
Pets Allowed

Inês Malheiro creates sound narratives using the voice as raw material, whether improvised or premeditated – recycling, broken voices and dismembered songs.
In 2022, Inês released her debut album, Deusa Náusea, through Lovers and Lollypops, and between 2018 and 2020 she created The Endless Chaos Has an End, a series of songs she began creating in 2018.
In parallel with her solo work, Inês composes for Sancha Meca Castro's performances and collaborates in a trio with Violeta Azevedo and Arianna Casellas. With Nuno Loureiro, he created the soundtrack for the short film Croma, o Sono (2023), by Pedro Huet. He has released albums in collaboration with friends, including Liquify, Spread and Float (2022) recorded live at Guimarães Jazz and Canal-Conduto (2020), with Gonçalo Penas.

Sara Rafael, born in Lisbon and living in Porto, presents herself as Jejuno in the sound field, composing in real time "musical pieces with brutalist contours full of dreams and romance, with all the utopia and chaos that real things imply" – João Moço –, through a minimalist setup of cascades of keyboards and samples, from which ethereal melodies, counterthemes of subterranean drones and rhythms emerge that, over time, become more pronounced, accelerated and dissipated with a certain violence.
Jejuno performed live for the first time at Noite às Novas, at Galeria Zé dos Bois, in 2014, and since then has performed at several national and international venues. Almost always solo, it is in concerts that one can get to know his work better.
He has collaborated in a duo with Raw Forest, Diana Policarpo, Odete, Filipe Felizardo, Maria Reis and Inês Malheiro, and in a trio with Olan Monk and Paul Abbott. In the field of visual and performing arts, he composed for L'O, by Hugo Canoilas, at the Museu Soares dos Reis (Porto), guts, by Lydia Nsiah, at Hangar (Lisbon), and Pool u. Pool, with Sara Graça, for TBA (Lisbon). In the area of ​​experimental cinema, he was responsible for the sound design/sound composition of to forget (2019) and techno (2023), both by Lydia Nsiah.
Some of his recordings are released by the labels URUBU, Labareda, Nariz Entupido and Extended Records. His next release will be released by Favela Discos.

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Inês Malheiro & Jejuno
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