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Unarchive Found Footage Film Fest Session. On October 15, at 6:00 pm, at Batalha Centro de Cinema, Room 1. Duration: 70 minutes. Born out of training and production workshops dedicated to the creative reuse of images, organised by the Archivio Audiovisivo del Movimento Operaio e Democratico ETS (Rome, Italy), these four works present different approaches to the re-semantisation of materials from the past: from the reuse of home movies to rework a private trauma in Supereroi senza super poteri (Superheroes without Superpowers), to the reinterpretation of militant and anthropological documentary through the narrative mechanisms of the western in Lo chiamavano Cargo (They Called Him Cargo); from the reversal of film documents to give life to a feminist “what if” scenario in In Her Shoes, to the allegory of failed revolutions in a dystopian key in Blue Screen. Reinterpretations and rewritings of archives by young filmmakers express an urgency that is anything but nostalgic, proposing aesthetic and political reworkings that are entirely contemporary. Screenings: Supereroi senza super poteri (Superheroes without Superpowers), by Beatrice Baldacci (Italy, 2018, 13’); Lo chiamavano Cargo (They Called Him Cargo), by Marco Signoretti (Italy, 2019, 18’); In Her Shoes, by Maria Iovine (Italy, 2017, 19’); and Blue Screen, by Alessandro Arfuso and Riccardo Bolo (Italy, 2016, 17’).
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Unarchive Found Footage Film Fest Session. On October 15, at 6:00 pm, at Batalha Centro de Cinema, Room 1. Duration: 70 minutes. Born out of training and production workshops dedicated to the creative reuse of images, organised by the Archivio Audiovisivo del Movimento Operaio e Democratico ETS (Rome, Italy), these four works present different approaches to the re-semantisation of materials from the past: from the reuse of home movies to rework a private trauma in Supereroi senza super poteri (Superheroes without Superpowers), to the reinterpretation of militant and anthropological documentary through the narrative mechanisms of the western in Lo chiamavano Cargo (They Called Him Cargo); from the reversal of film documents to give life to a feminist “what if” scenario in In Her Shoes, to the allegory of failed revolutions in a dystopian key in Blue Screen. Reinterpretations and rewritings of archives by young filmmakers express an urgency that is anything but nostalgic, proposing aesthetic and political reworkings that are entirely contemporary. Screenings: Supereroi senza super poteri (Superheroes without Superpowers), by Beatrice Baldacci (Italy, 2018, 13’); Lo chiamavano Cargo (They Called Him Cargo), by Marco Signoretti (Italy, 2019, 18’); In Her Shoes, by Maria Iovine (Italy, 2017, 19’); and Blue Screen, by Alessandro Arfuso and Riccardo Bolo (Italy, 2016, 17’).
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