The installation takes as its conceptual starting point the name of the exhibition space, which, although called a cube, is not one.
The combination of painting, light, and space constructs a virtual element that enables the perception of the solid through an essentially two-dimensional experience, framed by the display window.
A phenomenological continuity is established between the name of the gallery, the exhibition space, and the installation. None of them is literally a cube, yet all of them evoke one.
— Maria Souto de Moura