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Flutist, composer, sound artist, researcher, music curator and educator born in Arequipa, Perú, Camilo Ángeles lived several years in Buenos Aires, Argentina, and is now based in México City.
Works with interest on the hybridization of aesthetics, standing outside specific genres, the search for an own aesthetic vision through a deconstructed approach on his own instrument and musical language; the sonorous re- exploration of the flute, a non traditional approach crafted by his own history as a human being, as an immigrant and as Latin American artist. The axis and core of sound in his music is the search for an identity. His music is built of explosive sounds created with different extended techniques, preparations on the flute, microtonal textures, electronic processing and hyper amplification of the flute, altering it sounds to make microscopic air gestures become big waves of sound. He is constantly focussed on the obsessive study of ways to expand the sound spectrum of the flute. In his music, improvisation and composition are procedures used for the same purpose: the construction of a particular identity and space for expression.
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Flutist, composer, sound artist, researcher, music curator and educator born in Arequipa, Perú, Camilo Ángeles lived several years in Buenos Aires, Argentina, and is now based in México City.
Works with interest on the hybridization of aesthetics, standing outside specific genres, the search for an own aesthetic vision through a deconstructed approach on his own instrument and musical language; the sonorous re- exploration of the flute, a non traditional approach crafted by his own history as a human being, as an immigrant and as Latin American artist. The axis and core of sound in his music is the search for an identity. His music is built of explosive sounds created with different extended techniques, preparations on the flute, microtonal textures, electronic processing and hyper amplification of the flute, altering it sounds to make microscopic air gestures become big waves of sound. He is constantly focussed on the obsessive study of ways to expand the sound spectrum of the flute. In his music, improvisation and composition are procedures used for the same purpose: the construction of a particular identity and space for expression.
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