CASA exists between two understandings of the house: as structure and as affective space.

Architecture gives a house its physical form, but inhabitation transforms it into place. through presence, encounter and memory, a bare structure begins to accumulate meaning.

Set within an almost-built ruin, casa inhabits this state of almost: a space already shaped by time and erosion, yet still open to possibility. For three days, artist and audience enter this interval, leaving traces and forming new relationships with the space: affective, structural or both.