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A Palavra para Mundo é Poema
Cortesia do artista e da galeria Lehmann. Fotografia de Ángela Jiménez Durán.
The Word for World is Poem
da artista Ángela Jiménez Durán
A Palavra para Mundo é Poema
Cortesia do artista e da galeria Lehmann. Fotografia de Ángela Jiménez Durán.

Lehmann is pleased to present The Word for World is Poem | A Palavra para Mundo é Poema, the first solo exhibition at the gallery by Paris-based artist Ángela Jiménez Durán (b. 1996, Madrid, ES).


The exhibition’s title draws inspiration from Ursula K. Le Guin’s seminal science fiction novel The Word for World is Forest, in which an alien language uses a single word to encompass both "world" and "forest". Borrowing from this ecological and linguistic overlap, Jiménez Durán constructs a territory where poetry becomes the foundational principle for world-building.


Spanning painting, sculpture, and installation, the exhibition draws visitors into a choreography of entities and poems, invoking the artist’s ongoing investigation into the four elements, material transformation, and geological fiction. By engaging with the agency of matter, Jiménez Durán blurs the boundaries between the human and the non-human, and her work unfolds as a discontinuous narrative in which materialities and fictional elements intertwine to imagine uncertain futures.

29
Sep
29
Sep
2026
2026-09-29T16:00:00Z
2026-09-29T19:00:00Z
Galeria Lehmann

qua a sex: 14h00–19h00

sáb: 11h00–13h00 + 14h00–19h00

Outros horários sob consulta

Free

R. do Duque da Terceira, 179

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A Palavra para Mundo é Poema

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A Palavra para Mundo é Poema
Free
Exhibition
In English

Lehmann is pleased to present The Word for World is Poem | A Palavra para Mundo é Poema, the first solo exhibition at the gallery by Paris-based artist Ángela Jiménez Durán (b. 1996, Madrid, ES).


The exhibition’s title draws inspiration from Ursula K. Le Guin’s seminal science fiction novel The Word for World is Forest, in which an alien language uses a single word to encompass both "world" and "forest". Borrowing from this ecological and linguistic overlap, Jiménez Durán constructs a territory where poetry becomes the foundational principle for world-building.


Spanning painting, sculpture, and installation, the exhibition draws visitors into a choreography of entities and poems, invoking the artist’s ongoing investigation into the four elements, material transformation, and geological fiction. By engaging with the agency of matter, Jiménez Durán blurs the boundaries between the human and the non-human, and her work unfolds as a discontinuous narrative in which materialities and fictional elements intertwine to imagine uncertain futures.

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