What is presented in this series is a painting as a topographical map of emotions. The scaled representation of accidents inscribed on the Earth's surface, suggesting planimetric and altimetric positions, is constructed here from small incisions, fragments of reality, yearning for human presence – even if only through the imagination of solitary walks, for example, of an absent/present Walser, lost in the world. This is, therefore, a painting that captivates us through a lyricism that is not given to us, but must be sought: offering us a path towards the abyss (after all, it is the "death of the world in his eyes" that is at stake) and that leads us to an awareness of limits. It highlights the need for rebalancing emotion, understanding of nature, and rationality in how we confront, today, the excesses committed by humans in their, by definition, fragile relationship with the natural world.