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[Serralves] - O CERCO
O Cerco, de António da Cunha Telles
Sessão de cinema com apresentação de Bernardo Pinto de Almeida
[Serralves] - O CERCO

Second session of the film cycle Manoel de Oliveira and Portuguese Cinema 2, with the screening of "O Cerco" (1970) by António da Cunha Telles, with a presentation by the poet and essayist Bernardo Pinto de Almeida.


28 APR | SUN | 17:00

THE SIEGE

António da Cunha Telles | 1970 | 111'

Lisbon, 1969. Marta (Maria Cabral), a beautiful young woman from the bourgeoisie, is looking for a new life away from her marriage and her petulant husband (Mário Jacques). She works as a ground stewardess for an airline and as a model for an advertising agency. The financial situation gets complicated and Marta gets involved in a web of dubious situations. She meets Victor Lopes (Miguel Franco), a smuggler whom life no longer surprises. Marta feels lost in her own contradictions and seeks solace in fleeting relationships. One day Victor mysteriously turns up dead and the siege begins to close in around Marta... (José de Matos-Cruz, O Cais do Olhar).

28
Apr
Serralves
17:00
3 €
R. D. João de Castro, 210

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[Serralves] - O CERCO

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Manoel de Oliveira e o Cinema Português
Film

Second session of the film cycle Manoel de Oliveira and Portuguese Cinema 2, with the screening of "O Cerco" (1970) by António da Cunha Telles, with a presentation by the poet and essayist Bernardo Pinto de Almeida.


28 APR | SUN | 17:00

THE SIEGE

António da Cunha Telles | 1970 | 111'

Lisbon, 1969. Marta (Maria Cabral), a beautiful young woman from the bourgeoisie, is looking for a new life away from her marriage and her petulant husband (Mário Jacques). She works as a ground stewardess for an airline and as a model for an advertising agency. The financial situation gets complicated and Marta gets involved in a web of dubious situations. She meets Victor Lopes (Miguel Franco), a smuggler whom life no longer surprises. Marta feels lost in her own contradictions and seeks solace in fleeting relationships. One day Victor mysteriously turns up dead and the siege begins to close in around Marta... (José de Matos-Cruz, O Cais do Olhar).

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