What’s absurd about current social labels is that they go beyond categorising reality according to common denominators with regard to the one responsible for the categorisation, which tends to take into account the diversity of perspectives that can rule a society. On the other hand, they tend to attribute a static, predefined characteristic, whose evaluation is presented as objective and permanent. The risk is thus to confine a rich and nuanced concept to a simplistic category, and to do so in a way that irreversibly defines a person. Ainsi rugissent les fleurs [Thus Roar the Flowers] wishes to free our memories, emancipate us from them, create new memories and imagine a world that belongs to us, without labels or the dictates associated with them. — Cirque Lambda